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Messages - fantastical

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Live Shows / Re: Belgium show 05/15/2016 @Botanique
« on: February 23, 2016, 01:23:44 pm »
I never thought this day would come. The moment after I ordered the tickets it felt surreal even now it still does. I'll cherish her performance like nectar.

I'll even sing "far away" when she sings Nothing Where Something Used to Be haha.

I really really hope she adds Who's to Say to the setlist just to keep it fresh.

Can't believe she'll be here. Someone pinch me.

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General Vanessa Carlton Discussion / Re: Liberman
« on: January 01, 2016, 08:07:33 am »
^ Sweet. I guess it's not really necessary to adress us specifically. Basicly all the true fans she has are Nessaholics.

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General Vanessa Carlton Discussion / Re: Liberman
« on: December 22, 2015, 11:07:04 am »
Sorry if this has been asked before and answered but did she thank us Nessaholics in the booklet this time around? Cause with Rabbits she forgot and there was an uproar and she felt guilty/embarrassed and quickly adressed us on Twitter.

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General Vanessa Carlton Discussion / Re: Liberman
« on: November 09, 2015, 02:24:46 pm »
was this posted?

liberman live on radio: https://www.youtube.com/watch?v=ik0X4bM-v8M

edited to add that skye's harmonization on "nothing where something" is really cute :3

https://soundcloud.com/wfpk/vanessa-carlton-on-wfpks-live-lunch-103015

Here you can listen to the interview as well.

This sounds wonderful. I love her and Skye's collabs if you could say that.

House of Seven Swords sounds just the way it should. I love the album version don't get me wrong but it sounds different and much better stripped down bare to just piano and strings. It's strange that she had so much difficulty with getting the rythm right. All the live performances 'clicked' before so how could that be a problem?

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General Vanessa Carlton Discussion / Re: Liberman
« on: October 15, 2015, 11:27:34 am »
^I totally agree. I'm also still unsure why White Houses didn't do as well as I believe it should have. Perhaps because MTV banned the vid and TRL was the way for people to experience new music? In 2003/04 iTunes existed, but wasn't huge until like 2005 or so. I still remember the first time I heard WH. It was on the radio and I was struck by it. I was only 14 at the time, but I could still relate to it even then. And now at 25 it's still my most played song ever. It means so much to me and has helped me through any bad time in my life with friends or boyfriends.

I think Vanessa came out at a great time, but her singles did fit into a certain niche. Besides WH and WTS I think that Harmonium was too "dark" for the general public that listened to the radio at the time. I actually think Harmonium could be really successful if released now. I will always cherish Heroes and I cannot for the life of me not understand why Hands and The One and Fools Like Me didn't get more (if any) airplay. Maybe a generic Top 40 station wouldn't, but there are a ton of stations that would.

I think commercial success is not really in the pic for V, but I think she's realized that for a while. I also hate when I choose Vanessa Carlton radio on Pandora artists like Avril Lavigne come up.

If they would have released Private Radio as the first single of off Harmonium as originally planned we wouldn't be where we are right now with her career. In other words, that song would have catched on and the whole era would have turned out different and could have been a success.

The singles should have gone like this;

1. Private Radio

2. White Houses (re-recording the 'blood' part for radio and music video)

3. Who's to Say!!

Or release Who's to Say as the second single and White Houses as third.


(4. A toss up between San Francisco and Afterglow as the final single.)

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General Vanessa Carlton Discussion / Re: Liberman
« on: October 14, 2015, 09:48:15 am »
Amazing video. It's really beautiful, the director did an amazing job. The colors and everything, it almost feels like a David Fincher movie. I actually didn't expect Vanessa to be in it, which was a GREAT surprise! And love the studio version of the song. I really do believe it can do well on the charts or whatever. It has a great hook and sounds like something people might like to hear these days on the radio while it's still very Vanessa. Could this be her most radio-friendly song since the BNN era? I believe so.

True.

imo this has potential HIT written all over it. She could make a decent comeback with Operator. If they can play Lorde on the radio then this can definitely move up the charts if they're smart enough to give it an actual add date and send it to radio.

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General Vanessa Carlton Discussion / Re: Liberman
« on: October 09, 2015, 03:10:03 am »

Well said. I love the fact that there's this different take on the song in both the studio and the living room sessions. I love songs that have either duality in their lyrics and/or in the way that it is performed live and in its studio version. I think it speaks volumes of her musicality to create a song that serves different functions live and in the studio.

I cannot wait to hear the studio versions of the rest of the songs and compare them to the living room sessions.

If you say it like that then I totally agree. Especially about the duality. Very curious now if the other living room sessions are vastly different to their studio version counterparts.

Still hope Unlock the Lock and especially House of Seven Swords sound like the live versions.

The only track I haven't spoiled myself to is River.

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General Vanessa Carlton Discussion / Re: Liberman
« on: October 09, 2015, 03:00:43 am »
Can you guys believe the record will be released in less than 3 weeks? We've been waiting so long for this. Can't wait to take long walks while listenig to Liberman and watching autumn leaves fall. :D

YES.

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General Vanessa Carlton Discussion / Re: Liberman
« on: October 02, 2015, 08:19:49 am »
Yes I noticed that too. The chord progression makes it sound sadder. Less hopeful like you said. That's actually quite a nice touch. The studio version is beginning to grow on me, in particular the intro and outro but the chorus remains AWFUL. They were doing peyote while coming up with that. The voice effects, those strange sounds and the way it goes by so quickly (thankfully).

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General Vanessa Carlton Discussion / Re: Liberman
« on: September 29, 2015, 04:41:37 am »
The studio version of Nothing Where Something Used To Be is such a disappointment. She rushes through it. And what is it with the lack of piano? The emotional impact of "do it, do it" is also completely lost. Thank god we have the living room version. It's so soothing and doesn't sound live it all.

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Live Shows / Re: 9/15/15 Los Angeles-Sayers Club (review)
« on: September 17, 2015, 01:29:17 am »
Well, Take It Easy sounding like stars is no longer. The new live version is boring aside from Skye's violin at the end.

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General Vanessa Carlton Discussion / Re: Liberman
« on: September 13, 2015, 05:31:43 am »
http://bestevents.us/lawrence-vanessa-carlton-at-the-bottleneck/706188

Great review of the album! Really looking forward to hearing how trippy House of Seven Swords sounds in studio form.

I have to add again that it's a shame that the 'sound of stars' as someone described Take It Easy had to take a backseat in favor of John's guitar contribution. They really should have left well alone. That 'electronic sound' was/is so captivating live + the violin of course.

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General Vanessa Carlton Discussion / Re: Liberman
« on: August 30, 2015, 10:11:29 am »
I already find this album sounds 'bigger' than Rabbits. That album is so earthy. She completely delved herself into the simple recording process and keeping things minimalistic. The only studio version song we've received so far that sounds like something from Rabbits is Blue Pool. The production reminds me of Tall Tales for Spring for some reason. No, you can definitely tell they upped the ante for this record. A different sonic landscape. I would love a hybrid of Rabbits and Harmonium. The surprising production turnout of Take It Easy reminds me of when we first heard the album version of Hands On Me. All the little details and sound effects. Nothing Where Something Used To Be sounds perfect as is. It already sounds like a studio version! Very curious to hear the outcome. Looking forward to hearing the album and live bonus tracks soon. It'll probably be worth the one year delay.

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General Vanessa Carlton Discussion / Re: Liberman
« on: August 28, 2015, 07:59:47 am »
I agree with Willows having that Harmonium touch, which is easily her best album imo. I was very much meh about the live performances of Willows and didn't want it on the album but it translated so much better in the studio. It's exactly how I wanted it to sound. It grabs you. Weird since it isn't so different from the live version but it does capture your attention and you get all the feels.

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General Vanessa Carlton Discussion / Re: Liberman
« on: August 19, 2015, 02:08:40 am »
It is not new and not only due to John to me.
I have never liked for example Get Good whereas I am in love with the omnichord live version ! The problem is clearly the guitar in the studio version.

But I must confess I am not really objective when it comes to Vanessa's piano.
As you said we became fan of Vanessa AND her piano and finally at the same time.
I have the feeling she betrays her art when she gives up on her piano. 

By the way I really hope she will try new things on the piano. She has not  done her best in this area since Rabbits.
She used to be a classical pianist and can play rock, pop and even jazz. She is not ambitious enough although she is obviously gifted enough. Pity !

I think it is great she tries new sounds. She is very innovative and that is good but with her piano it is better.

I fully concur with everything you said. But I do have to add that I know very well that guitar driven songs aren't new endeavors of hers. I did say that Dear California is an exception but I didn't mention Get Good for a reason and that's because I don't like the guitar at all and the song in general never resonated with me. I do truly believe that John has influenced her work progress on this album in a way. I'm just not looking forward to A Matter of Time and possible other songs where her excellent piano skills take a backseat for more guitar driven ones. She and piano are intertwined and she mustn't stray too far from it.

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