We should really have a designated thread for discussing the whole label thing instead of hijacking threads with it, but eh.
I think we all had very high expectations of what Irv could do for V's career when she hooked up with his label. For the most part those hopes and aspirations have gone unmet, but I wouldn't say all of that is Irv's (or the labels) fault.
Comparing Ashanti's moderate success with her new album to V is like comparing apples to oranges, there really is no comparison. Ashanti gets over on the R&B/Hip Hop market and whatever transfers into Top 40, more money for her. V's main demographic is Top 40, and frankly I think she fits better on AC, but AC seems to be a dying breed as it is.
The hip hop world is much more welcoming back of artists no one has heard from in an extended period and letting them get back to their previous status, while Top 40 eats up artists and spits them out left and right once the next hot thing comes along. For a while it was all about singer-songwriters, now it is all lolli lolli and bust it baby. Honestly, when V faded into oblivion for those two years after BnN to Harmonium she never really got her status back in the Top 40 world.
Another example of this dichotomy is Inc artist Lloyd, who after putting out "Get it Shawty" did nothing for about 8 months and just put out a song which is already at 15 on the R&B charts (it is at 64 on the billboard 100, just FYI).
I think the main thing I'm saying is this is the music business, and basically it all comes down to the numbers. Could V do more to promote herself? Sure. Could the label do more for her? Probably. But the bottom line is will radio buy her songs, will TV play the videos or put her out there, and if they do will the mainstream public welcome her back? For the most part the answer to each of those questions has been a resounding no, and from there it is just a domino effect.
I personally will support V whether she ever blows up and has the opportunity to play larger venues again, or if she is playing 200-300 seat capacity houses for the rest of her career. A lot of quality music never makes it to the radio or into the mainstream because it isn't about quality, it's about quantity and what the music business can get people to buy into most. It just so happens that V's music isn't really what radio is buying right now.
(As an aside, I still think Private Radio was the last V song which really had a chance to hit big on Top 40, but it never got that chance)